Current Gallery: goodstuff ( piece)
This gallery consisds of abstract works that involve computer effects on a scanned photo or painting. The original "stimulus" for these pieces are color-rich, but very mundane in subject matter -- such as a box of hats or a picture of a ship. My goal is to transform them so that colors, texture, and movement become primary: the original subjects are obliterated. I want viewers to experience the artwork on its olwn terms, as if they were entering a little world with itrs own logic. Sometimes, I try to have recognizable creatures/humans, with no details so that viewers can make a fresh connection. The figures emerge from the shapes -- at least that's my intent. In general, I think a painting is perceived in terms of the 3 C's: content, composition, and connection. I emphasize the latter two, especially in this gallery. My hope is to enable viewers to experience rather than quickly categorize what they see. I will have very brief descriptions of most of the paintings in the gallery because almost all exemplify what I've written here.
This gallery consisds of abstract works that involve computer effects on a scanned photo or painting. The original "stimulus" for these pieces are color-rich, but very mundane in subject matter -- such as a box of hats or a picture of a ship. My goal is to transform them so that colors, texture, and movement become primary: the original subjects are obliterated. I want viewers to experience the artwork on its olwn terms, as if they were entering a little world with itrs own logic. Sometimes, I try to have recognizable creatures/humans, with no details so that viewers can make a fresh connection. The figures emerge from the shapes -- at least that's my intent. In general, I think a painting is perceived in terms of the 3 C's: content, composition, and connection. I emphasize the latter two, especially in this gallery. My hope is to enable viewers to experience rather than quickly categorize what they see. I will have very brief descriptions of most of the paintings in the gallery because almost all exemplify what I've written here.